Draw a box around your face. Get a buttery punch-in that follows you everywhere — as real, editable keyframes on your clip. No After Effects. No round-trip. No manual keyframing.
£19.99/month · cancel any time · Premiere Pro 2025 & 2026 · Windows & macOS
Premiere can track a face. It just can't make the camera follow one. So editors have been doing this the hard way for years.
Scale to 200%, then set a position keyframe on your nose every few frames. For a three-minute talking head, that's an evening gone.
Dynamic Link, a separate render, a comp you have to maintain — just to move a frame around. And it breaks the moment you re-edit.
Tools that punch in on audio peaks or "emotion" are guessing. They don't know where your face actually is, so they drift off you.
Real computer-vision tracking, then a punch-in that lands on your timeline as ordinary Motion keyframes you can tweak like any others.
Drag a rectangle around a face, or use the pen tool to draw a precise outline. The shape masks out background, so the tracker locks onto your subject instead of the wall behind them.
The preview plays back the actual punch-in — not a wireframe, the finished shot. Slide the zoom and smoothing while it plays and watch the framing change live.
One click sends the motion to the clip you've selected in Premiere. It arrives as standard Motion keyframes — so you can nudge, ease, delete or rebuild any part of it afterwards.
No project setup, no comps, no exporting. Track it, send it, keep editing.
Pause on a clear frame and draw a box or outline around the face you want to follow.
Every frame gets analysed at your clip's own frame rate, detected automatically.
Select your clip, click apply, and the keyframes land on its Motion effect.
Plenty of tools track. Plenty zoom. Only one sees where your subject is, punches in on them, and leaves you editable keyframes.
| FaceTrack Studio | Premiere Object Mask | Auto-zoom plugins | Mocha Pro | |
|---|---|---|---|---|
| Knows where the face is | ✓ Vision tracking | ✓ | ✕Guesses from audio | ✓ |
| Punches in and follows | ✓ | ✕Makes masks only | PartlyZooms, doesn't follow | ✕ |
| Editable Motion keyframes | ✓ | ✕Can't be hand-corrected | Varies | ✕Exports splines |
| Stays inside Premiere | ✓ | ✓ | ✓ | ✕After Effects detour |
| Price | £19.99/mo | Included | £8–35/mo | £695 one-off |
Drop your best before-and-afters, client work and vertical edits in here.
£19.99 per month including VAT. No tiers to compare and no upsells. Cancel in two clicks whenever you want, and we refund your first month in full if it isn't for you.
One plan. Every feature. Cancel whenever you like.
Billed monthly · cancel any time
PurchasePremiere Pro 2025 and 2026, on Windows and macOS. The panel installs like any other plugin and appears under Window → UXP Plugins.
No. Tracking runs entirely on your own machine — your video never leaves it. That keeps client work confidential and means tracking speed depends on your computer, not your internet.
Yes, and this is the point. You get ordinary Motion keyframes on the clip. Nudge them, ease them, delete a section and redo it by hand — it behaves exactly like keyframes you set yourself.
Redraw the box and track again — it takes seconds. For tricky shots, the pen tool lets you outline just the face and exclude background, which usually fixes drift on its own.
Yes. It tracks whatever you draw around — a product, a logo, a hand, a car. It works best on subjects that hold their shape rather than deform heavily.
Cancel in two clicks from your account page. You keep access until the end of the month you have paid for, then it stops. Keyframes already on your timeline stay exactly where they are — finished projects never depend on the plugin.
Yes — your subscription covers two computers at once. Sign out of one from your account page and move it whenever you like.
Stop paying for your own time. £19.99 a month, cancel whenever you like.